A songbird named Hope is born. Her destiny is to sing a song that will defeat The Glob who is eating everything on the planet. There are only two itty-bitty problems: Hope doesn’t know her song and she doesn’t have the confidence the song will work. With a little help from her friends, Hope tries to discover her song and her inner confidence in time to save the planet.

Completion date: February 2026.

We Are a Galactic Community.

Struggling to scrape by in the desert, Hartley's world is thrown into chaos when she meets Sam, a mysterious alien on the run. As they navigate the vast Mojave Desert, Hartley must rely on local legends and an eccentric group of allies to survive.

Unexpected Treasures is a comedic, heartfelt adventure about survival, trust, and discovery that true connections often come from the most unexpected places.

What survives when everything burns?

After a brutal purge, rogue hacker Nyx escapes the city with a gang’s stolen data drive.

Hunted by the Nobunaga’s gang lord who believes the hacker has killed his daughter, Nyx crosses the desert, forming fragile bonds with a scavenger, a sarcastic AI trike, and a legendary outlaw DJ.

The information in the drive and the truth about the daughter’s fate could restore everything - or destroy what remains.

As opposed to New Wave, Deadwave has a cyberpunk counterculture where 80’s synth futurism meets digital collapse and urban insurrection. Culture, illiteracy and mythology are intertwined and weaponized inside a neon megacity.

INITIAL SHOOTING: FEBRUARY 2026

Money can’t buy you life.

During an excursion to Mallorca, Spain, Jill and Vivian meet a group of tourists from the United Kingdom. A scenic hike in nature ends in Vivian's brutal death. Friendships turn to suspicion and terror as the members of the group are killed one by one.

“A fun, intriguing story.” – Geek Legion of Doom

4K master with 5.1 audio.

My Heart Remembers is an award-winning, Jane Austen-like, Dove-rated family drama.

Set in 1903, My Heart Remembers tells the story of Isabelle Standler, a young woman whose life is upended when her adoptive brother reveals she is not biologically part of the Standler family. Cast out and stripped of her inheritance, Isabelle faces rejection from her fiancé and the social standing she once knew. Relocating to the small town of Shay's Ford, she struggles to rebuild her life while grappling with her identity.

Encountering struggling street children, Isabelle finds a new purpose: to fight for child labor reform and build a brighter future for the orphans. Along the way, Isabelle learns to embrace her faith, rediscover her resilience, and redefine the meaning of family. Her journey becomes one of healing and hope, as she seeks justice for the vulnerable while confronting her own insecurities.

2026 Official Selection: Chandler Int’l Film Festival

This modernized version of Aesop’s Fables is filled with fun, humor and a bit of history.

Completion date: February 2026.

This documentary reveals the untold story of 379,000 German POWs held in the United States during World War Two. This is their story… and ours.

Likely the most comprehensive film on the subject ever produced, the information-packed, three-and-a-half-hour production departs from the traditional documentary by going deep beyond the story’s surface. The film not only explores the decision to bring some of the most ideological and dangerous men of the twentieth century to all corners of the United States but the challenges that action brought with it. For example, how the U.S. program was developed, implemented, funded, and staffed when the majority of military-age Americans were already serving overseas.

Prisoners from all three Axis Powers (Germany, Italy, and Japan) were brought to the United States during the war. Over a quarter-of-a-million of these were from Nazi Germany, by far the largest contingent of the three countries.

The prisoner of war program was entangled in an array of logistics from the start. These included the transportation of combatants to the United States from multiple theaters of the war, feeding and housing them, abiding by international agreements regarding POW treatment, scouring the country for those that could design, build, maintain, command, and above all, guard the prisoners at the new camps.

As with any massive war-time bureaucracy, there would naturally be hitches in the system along the way. While the United States was aware of the threat posed by the Nazis, the fanatic nature of some of their hardcore members still came as somewhat of a surprise. The increasing danger posed by these zealous Nazis to American personnel and even their fellow German POWs was a serious concern.

Ultimately, this led to the decision to build a high security facility in Oklahoma where the most radical of these men would be transferred. While this installation kept many of the known troublemakers far away from other German prisoners, it did not entirely solve the problem.

Many die-hard Nazis stayed off the American radar, hiding in plain sight. This allowed them to operate underground networks throughout the entire U.S. camp system. These men could track fellow prisoners that were considered unloyal to the Nazi cause, trade secret messages through a sophisticated campaign involving the U.S. Prisoner of War Mail Service, and set-up clandestine Party Courts within the camps that would punish their own men for crimes -- real, imagined or invented.

While all of the German POWs were representatives of Hitler’s Third Reich, these men did not always embrace the same social and political beliefs. In fact, there were basically three types of Germans held in U.S. facilities: the devoted Nazis, those simply loyal to their country or neutral conscripts, and the anti-Nazis. Placing these three categories of soldiers together, even after the segregation of the worst of the Nazi element, created a life and death struggle that played out within the camps, one that pitted German against German.

This is their story, and ours, illustrating the film’s wide-ranging coverage of the camp system by chronicling both sides, the captives as well as the captors.